This one has the earlier, thinner-profile neck that gives it quick playability.Its all-original save a later Grover Presto tailpiece (c.1930s), new bridge, and new tuner pegs.
Supertone Ragtime King Skin Head EbonizedVery nicely played-in original skin head Ebonized fretboard with MOP dots and nickel-silver frets.Pot hardware polished up a bit here and there but theres still a bunch of tarnish.Lightweight -- with warm, smooth plunky tone to boot. New pegs. Neck looks like cherry Ebonized heel cap. I have a 1915-20 Supertone Amature - great condition -just was wondering approx price Thanks - Im also on Banjo Hangout ts-cghotmail.com love them old jos. Supertone Ragtime King Free To SharePlease ask for permission before reuse but feel free to share. But his compositions were rediscovered and had a second wave of popularity in the early 1970s, when Joshua Rifkin released an extremely successful album of his pieces. An extraordinary Black composer, born the son of a labourer and former slave, Joplin was one of the most important and influential composers at the turn of the 20th century one whose name is synonymous with an entire genre. His ideas around harmony, as well as his complex bass patterns and sporadic syncopation, are still imitated by composers today. Now dubbed the King of Ragtime, Joplin spent his lifetime trying to become an African American composer of serious music. But it wasnt until some time after his death that much of his music started making its way into public consciousness. Read more: 9 Black composers who changed the course of classical music history. His father, Giles Joplin, was a labourer and former slave who played the violin for plantation parties; his mother, Florence Givens, a cleaner and avid singer and banjo player. Scott, the second of six children, grew up with music in the household. Aged seven he started playing the piano, taking lessons from Julius Weiss, a German music teacher who lived in Joplins hometown. In his late teens, Joplin left Texarkana and his then-job as a railroad labourer to become a travelling musician. But as a Black pianist, Joplin struggled to get regular work churches and red-light districts being by far the best option then for a musician of colour. Read more: 19 Black musicians who have shaped the classical music world. Smith College for Negroes, and also taught and mentored other ragtime musicians. When he published his first rag, Original Rags, he was made to share credit with another arranger. Never one to throw in the towel, Joplin hired a lawyer and made sure he would receive a one-cent royalty of every copy of sheet music sold, of his next composition the Maple Leaf Rag (1899). But it went on to become Joplins first big hit, its popularity remaining constant throughout the early to mid 20th century. After that, Joplins name became synonymous with ragtime and he went on to compose rags like The Entertainer, Solace and The Chrysanthemum. But he also wrote two operas, one Treemonisha (1911) for which he was posthumously awarded the Pulitzer Prize in 1976. Treemonisha, sometimes erroneously referred to as a ragtime opera, was never staged during Joplins lifetime only being confirmed in its entirety in 1972, by the Houston Grand Opera. A music historian at the time called the performance a semimiracle. The opera, a celebration of African American culture, combines the Romanticism of the early 20th century with Black folk song tradition. Its moral message is education as a fundamental right for all African Americans. Comedian Lenny Henry recently championed the opera in a documentary on forgotten Black classical composers. ![]() His untimely death, caused by syphilis which descended into dementia, marked the end of ragtime and a sad lapse in interest around his music.
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